Hidden Orchestra join Minority Records

Hidden Orchestra join Minority Records

Prague-based indie games company Amanita Design released their new puzzle adventure Creaks this summer. This time they enlisted the help of Joe Acheson (aka Hidden Orchestra) to create the soundtrack, following in the footsteps of the duo DVA and Joe’s long-time friend and collaborator Tomáš Dvořák (Floex). For Joe this was a new challenge, which he was able to meet with an outsider’s perspective on the gaming music tradition, as a non-gamer doing his first soundtrack. In this brain-teasing game, players may have to restart levels several times, and the duration of each level depends on each player’s speed at finding the solutions. In order to avoid listener fatigue caused by constantly restarting and looping pieces of music, Joe decided to create an endless ‘living soundtrack’, using software primarily designed for sound effects and atmospheres. By creating numerous variations for every part played by every instrument, and choosing between them using randomised conditional logic, the game’s music is self-generating and infinite, with constantly varying arrangements - while each piece is clearly recognisable, it will never sound exactly the same twice.
The player’s progress through the game also controls the structure of the music, as each piece moves through its sections as the stages of each puzzle are solved. Joe also wanted to reflect Amanita’s trademark marriage of beautiful hand-drawn artwork with technology, which fits neatly with his own approach of using only real instruments and musicians, but treating them with production techniques from sample-based music in order to create an imaginary orchestra.
"Each of the characters in the game is represented by a different instrument – for example, a selection of different zithers for the main hero character. The genres of music in the game reflect the progression through time in the game's artwork" reveals Joe Acheson himself. The musical mosaic on Creaks is very diverse and offers a broad creative spread, which bears the recognisable handwriting of Hidden Orchestra. It offers a kaleidoscope from minimalist improvisations for solo piano, through more diverse orchestrations for winds and strings, to conceptual compositions driven in an electronic background. "We start in a primitive world, where the music is mostly created from simple ancient styles of instruments (zithers, flutes, percussion) and some home-made instruments (tunable chimes made from a deconstructed glockenspiel, a harp made from an egg-slicer). Then we go into a gothic/baroque world, filled with bells, organs and choirs. Then a Classical world, dominated by pianos and strings, and an Electronic world filled with textures, rhythms, bass lines and melodies created on a modular synth, finally ending up in a futuristic dark magical world full of bass clarinet”.
Whilst playing the majority of instruments on the record himself (including piano, basses, zithers, analog synth, flutes, percussion, harmonium and many more), Joe most prominently features the newest members of Hidden Orchestra on this release - Jack McNeill (clarinet, bass clarinet) and Rebecca Knight (cello) - and did not hesitate to enlist his traditional collaborators Tim Lane and Jamie Graham (drums) and Poppy Ackroyd (violin), with brief cameo appearances from Yvo Ackroyd Acheson (shakers), Ali Tocher (bells, zither-box percussion), Su-a Lee (cello), Phil Cardwell (trumpet), and the aforementioned Tomáš Dvořák (clarinet).

Creaks Soundtrack is the fourth full-length studio album from Hidden Orchestra, following Night Walks (2010), Archipelago (2012), and Dawn Chorus (2017). Other notable releases include Reorchestrations (2015), a collection of Joe’s reworkings of mainly classical and folk musicians, 2016’s Wingbeats EP, and several volumes of remixes of Hidden Orchestra material by an extremely diverse array of artists. The powerful and virtuosic live show has toured dozens of countries over the last decade, performing hundreds of shows with a fluctuating lineup of guest players and arresting live visuals.

Manon Meurt's new album finally releasedPlay

Manon Meurt's new album finally released

Intricate structures with an intertwining of spontaneity and randomness, meeting the diverse genre influences of the band members from medieval music to shoegaze to noise. That is Unravel, the new album, and first in six years, from Czech band Manon Meurt.

"Unravel reflects the different stages of dissociation, a person's thoughts, observations - whether of the environment or of oneself - and admiration for the beauty and cruelty that nature mirrors," multi-instrumentalist and lyricist Kateřina Elznicová says of the album.

Produced by Eddie Steven’s (Freakpower, Zero 7, Moloko, Róisín Murphy) the album was pieced together from recorded fragments, meticulously pieced together. The title Unravel refers to the development of the band, unravelling what they are to find the full potential of their music as well as uncovering the layered nature of the songs and emotions.

The combination of industrial material with plant motifs in the work Untitled_1 by Ukrainian artist Liza Libenko, which adorns the cover of Unravel, strongly attracted the band. After all, floral motifs have always been close to Manon Meurt's music. Libenko, a student of the Academy of Fine Arts and a finalist of the prestigious Austrian Strabag Artaward International Prize, has recently been working on overcoming the narrative boundaries of the canvas, the paintings "attack" the viewer. Sunflowers are a powerful symbol of life and the sun; in Libenko's paintings they are black and burnt, serving as an allegory for contemporary conditions. The work was photographed by photographer and artist Marcel Rozhoň, and the final processing of the Unravel album was done by graphic artist Zuzana Malá.

The album Unravel is released right now on all streaming platforms, CD and 180 gram LP in two colour variants.

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The second single from the forthcoming album UnravelPlay

The second single from the forthcoming album Unravel

Ambient industrial planes laced with electronics and pop as well as an attractive elusiveness—this is the new song Timeless from Czech band Manon Meurt. The second single from the forthcoming album Unravel, produced by Eddie Stevens, is coming out on Minority Records.

“Genre-wise, Timeless is an antipole of our autumn single Mirrors. Eddie has widened our sound spectrum and on Timeless, he emphasized the dynamics and the way we tell the story,” the drummer Jiří Bendl says.

British producer and musician Eddie Stevens became famous for his collaboration with Moloko and Róisín Murphy, however, he has been gaining accolades on the Czech and Slovak music scene as well where he has produced several award-winning albums.

“Timeless was written during the evenings on the way from work in trams and in the car, where life’s hum intensifies. Everyone is headed somewhere, in a rush, and the horizon is changing colour above all this, as if to oppose the hustle and bustle with its magnificence and to remind us of the triviality of this haste, of its fleetingness. I enjoy watching this hum, it reminds me how great it is that I can disconnect from it for a moment and just take in the present moment,” explained Kateřina Elznicová, the author of the lyrics and multi-instrumentalist, about the origin of the song.

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The Orff Brothers are going on tour in April and release Song for Stefania Sauer single on streaming servicesPlay

The Orff Brothers are going on tour in April and release Song for Stefania Sauer single on streaming services

The autumn release of The Orff Brothers' Šero and Bingriwingri album reissue on the Minority Records label will be followed up by the band's six-city tour in April. The Orff Brothers will perform on April 17 at the Jazz Tibet Club in Olomouc, on April 18 at the Dock in Ostrava, on April 19 at the Church of St. Janů in Opava, April 24 at the Kabinet Múz in Brno, April 25 at the Kasárna Karlín in Prague and April 26 at the Oskar Nedbal Theatre in Tábor.

The Orffs also prepared a small surprise for the fans - the release of the Song for Stefania Sauer on streaming platforms.

"We went back almost thirty years when this song was created and re-recorded it in a simple vocal arrangement with only the accompaniment of the talented young Krnov pianist Matěj Černý," says singer and guitarist Ivan Gajdoš. The contemplative Song for Stefania Sauer is accompanied by a video clip, which is supported by band members and tattoo artist and illustrator Nella Vilímková.

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Manon Meurt present the single Mirrors from their upcoming albumPlay

Manon Meurt present the single Mirrors from their upcoming album

Manon Meurt once again joined forces with a strong producer personality, and the new song was created under the baton of the British musician and producer Eddie Stevens who is known for his collaboration with Moloko, Zero 7 or Róisín Murphy.

“Eddie’s approach included splitting our songs into individual fragments. We recorded each fragment with a different sound setup for the instruments and then we combined them together again to get the final form. Our collaboration was creative, unpredictable and constantly evolving, same as the result that we’re releasing in April 2024 and that we’ll follow up with a series of concerts. Thanks to Eddie, we’ve ventured into places as a band, where no one would have probably expected us a few years ago. We’ve learned to have a truly original approach to our music that is not specific to any single genre,” the keyboard player David Tichý says.

The single as well as the whole upcoming album were recorded in the Svárov studio owned by Lukáš Martínek. The mix was done by Stevens himself in the Rancid Mead Sorbet Studios in London, mas-tering was taken care of by Darius van Helfteren (De Staat and others) in the Dutch studio Amster-dam Mastering.

“It was David who came up with the harmony idea and gradually we each composed our part. The original idea was for an instrumental song, that’s why I came with something like a whispered mantra, however, the dynamics was gradually increasing. Generally, we tend to describe moments rather than stories in our lyrics. Mirrors captures that silent moment just before dawn when the moon and the sun change guards and people open themselves up all the way in what they say—mirror-like they reflect each other,” the author of the text, multi-instrumentalist and singer Kateřina Elznicová adds.

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Bingriwingri and Šero by Bratři Orffové (The Orff Brothers) released on vinylPlay

Bingriwingri and Šero by Bratři Orffové (The Orff Brothers) released on vinyl

Landmark albums of the Czech alternative music scene, Bingriwingri and Šero (Low Light) by Bratři Orffové (The Orff Brothers), have been remastered and were released on vinyl.

The original recordings have been carefully remastered by Matouš Godík (Floex, Hidden Orchestra)—former member of the band—and the original graphic design has been reworked by designer Jirka Libánský. The albums have been pressed on an audiophile 180-gram vinyl at Schallplattenfabrik Pallas in Germany.

Almost no other band resonates as much ten years after the release of their last album. And Bratři Orffové are not exactly generous with their live performances. Nonetheless, they are still gaining new fans and the story of Serža Vantóš is an interesting one for listeners across all generations.

“It would be very difficult to find a Czech band that could so naturally succeed in the international competition in their genre while being so relentless in their refusal to tour abroad. Bratři Orffové give the impression that even Prague is too big for them, and their aesthetics remains firmly rooted in their hometown of Krnov. Serža Vantóš, the hero of their songs, is a typical example of a small-town man: for one thing, he distrusts the world around him because he doesn’t understand it, and for another, he deals with life situations by putting them into a context that’s familiar to him,” wrote Dominik Zezula (post-hudba) in 2014 for the website Aktualne.cz.

The release of the group’s debut album Bingriwingri in 2005 was hailed as a significant event on the local alternative music scene, and this will be the first opportunity to enjoy the album on a classic black or amber 180-gram vinyl. It is not commonly known that several famous musicians from the Czechoslovak music scene collaborated on the album: Floex, Daniel Salontay (Longital), double bass player Petr Tichý, flutist and publicist Marian Jaslovský, guitarist Filip Míšek (Khoiba, Dikolson), and highly regarded pianist Jan Bartoš. Expres FM radio recently ranked Bingriwingri among the 50 best Czech albums.

Šero, the album released eight years after Bingriwingri, was no less groundbreaking. For the time being, it remains the final album by Bratři Orffové. It received both the Anděl Award and the Czech Critics’ Award Apollo for best album of 2013. Additionally, Bratři Orffové brought home the Anděl statuette for best band of the year. Šero was first released on vinyl in 2014 by the label Quazi Delict Records, but the current release is an excellent addition to the collection for owners of the first pressing. It is designed in classic black and smoky multicolour as a three-sided double LP on 180-gram vinyl for better sound quality. The core of Šero consists of lyrics by Ivan Gajdoš; the songs Sůl z Krnova (Salt from Krnov) and V záclonách (In Curtains) were written by Jakub König aka Kittchen and the text for Tunel (Tunnel) was by writer Jaroslav Rudiš.

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